![]() ![]() The confession is a long, hypnotic, unbroken shot of her face, where, with a trembling voice, she pours her heart out to a virtual stranger about a scarring childhood incident. There are two breeds of Alia moments: the confession and the explosion. ![]() Dear Zindagi seesaws between these two scenarios. They are so powerful that either the film is immediately elevated, or the rest of it is devaluated. Verbose eruptions, forces of nature – singular all-consuming disintegrations so simultaneously disarming and disturbing that they sweep away everything in their path, including our momentary perceptions of the films she occupies. Jokes aside, “Alia moments” have become a trend of sorts. The young (to a fault), undoubtedly talented actress (Alia Bhatt) has been developing quite a penchant for lost-little-girl roles. What an adorably volatile couple they’d make. It was only a matter of time before Alia Bhatt, the ultimate poster child of cinematic meltdowns, found herself in therapy. The young (to a fault), undoubtedly talented actress has been developing quite a penchant for lost-little-girl roles. I’d imagine Ranbir Kapoor, everyone’s favourite coming-of-age man-child, would fit perfectly next to her on the sofa.
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